Borrowed Wounds
- Category
- Short film
- Year
- 2026
- Runtime
- 13 min 30 s + 52 s credits
- Festival
- Higgsfield Global Film Festival Top 50, out of 6,700 films
- Format
- 2520 × 1080 · 21:9 · 30 fps
- Note
- Top 50 · Higgsfield
I direct AI films through meticulous preparation, designing their world before generating its images.
A film’s life continues with its audience. Alongside Borrowed Wounds’ festival shortlist selection, I record views of the film and my Instagram work, preserving the date of each reading.
Borrowed Wounds was selected from 6,700 films submitted to the Higgsfield Global Film Festival.
20,920 views of Borrowed Wounds on YouTube.
Borrowed Wounds recorded 9,846 views and 423 likes on Higgsfield.
My account recorded 1,102,482 views over the 30 days ending October 12, 2026.
My following reached 5,618, up 20% in 30 days from 4,678 on September 13, 2026.
Instagram recorded 737,000 views at the October 8, 2026 counter reading.
Cinematic choices begin with understanding their possibilities. This free bilingual library brings together 150 film techniques and reference films, with an assistant that develops your story into shots for image and video generation.
Finding an audience means finding the right call. Recorded October 14, 2026: 234 opportunities across 53 countries for AI films and series in 2026 and 2027, with entry requirements.
Continuity begins with preparation. For Borrowed Wounds, I completed the characters, costumes, props, locations and drawings of every planned shot before generating the film, giving each wound its own visual reference.
I establish the story through its synopsis, world rules, characters and scenes.
I design each object once, accounting for every angle the camera will see.
Every costume, for every character.
Each reference sheet follows a physical state: dry linen, soaked linen, another wound.
I scout and generate each location before filming begins there.
I visualise each shot’s camera, light and style before generating it.
Short-form work lets me move between dramatic intensity and comedy. I create reels from Borrowed Wounds and AI comedies starring my dogs, Alaska and Zeus, whose series Dog Tales is also in production.
At the edge of the sand, Hane kneels beneath the burden of his swordsman’s wounds.
Black ink gives way to blood red in this reel drawn from Borrowed Wounds.
A hallway becomes a dance floor for my dogs Alaska and Zeus in AI comedy.
Each character’s continuity begins with the reference sheet I design before generation, including their changing wounds.
Alaska enters Wonderland in the opening of Alice, chapter one of Dog Tales.
As two swordsmen fight, the man bleeding beside them holds no sword of his own.
A viral Chinese song brings Alaska to the drums and Zeus to the keyboard.
Kneeling beside the duel, a man bears the wounds of a fight that belongs to others.
In Borrowed Wounds, the marks of knees in sand give suffering a visible, physical trace.
Jeff Zambrano is a Madrid-based AI film director whose work centres on cinematic world-building. His debut, Borrowed Wounds, reached the Higgsfield Global Film Festival Top 50, selected from 6,700 films.
My work continues through co-directing Zero Gravity and planning Borrowed Wounds as a feature, already calculated shot by shot.
Science-fiction becomes satire in Zero Gravity, which I’m co-directing with Tales And I, the story’s author. The film is in production for the AKOOL AI Film Challenge, due in November 2026.
The world, the tournament and the law of the Life Bond carry the dramatic scope for a 90-minute film. I have already costed that expansion of the story shot by shot.
Every collaboration begins with the story it needs to tell. Bring me your film, series, trailer or brand film, a platform partnership, or a festival, press or distribution proposal.